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Archive for the ‘Photoshoots’ Category
By Gabby May 27, 2017 0 Comments

Our gallery has been updated with a few portraits taken of Elle this past week. We had been slowly adding them in between all the events she attended, and today we found two more by Deadline. They’re beautiful pictures!

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Photoshoots > 2017 > Session 15: Jonas Bresnan
Photoshoots > 2017 > Session 16: Unknown Photographer
Photoshoots > 2017 > Session 17: Justin Bishop
Photoshoots > 2017 > Session 18: Michael Buckner
By Gabby May 18, 2017 0 Comments

Before attending the Opening Gala at the 70th Annual Cannes Film Festival, Elle posed for L’Oréal Paris in her beautiful Vivienne Westwood gown. We haven’t figured out who photographed her, but we’ll credit them as soon as we do.

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Photoshoots > 2017 > Session 13: Unkown Photographer
By Gabby May 14, 2017 0 Comments

Elle is next month’s VOGUE cover girl! She was photographed by Annie Leibovitz and the story was written by Nathan Heller, who accompanied her on a haunted tour of New Orlean’s French Quarter. The entire article is very entertaining, specially when it describes certain traits of Elle’s personality we have grown fond of, such as her old soul manners and her confusion when it comes to technology. The story also features a video called “Elle Fanning’s fan fantasy”, which is basically your pun dream come true. Our gallery has been updated with the issue’s cover, as well as the photoshoot and screen captures from the featured video.

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Magazine Scans > 2017 > Vogue
Photoshoots > 2017 > Session 12: Annie Leibovitz
Photoshoots > 2017 > Session 12: Annie Leibovitz (BTS)
Screen Captures > Others > 2017 > Vogue: Elle Fanning’s Fan Fantasy

You can tell the story of Elle Fanning through the things she does, but also through the things she does not do. Fanning would rather not sit still, for instance. She does not tweet. She does not learn her lines until the night before she shoots them (then she memorizes them in the bath) and does not watch her own talk-show appearances (“It’s like hearing your voice on an answering machine”). She does not appreciate it when the paparazzi trail her to the gym, because she thinks she’s not famous enough to merit the commotion. (“The rest of the world is like, ‘Who is that person?’ I’m like, ‘I’m sorry!’ ”) When people now stop Fanning on the street (“Are you——”), she tries not to reply, “Dakota Fanning’s sister!” Fanning, then, would not be the first person—and might actually be the last—to realize what a rare and even spooky star Fanning, at nineteen, has become.

It’s not only the regal beauty—arching eyebrows, snub nose, and a sylphic whoosh of hair—or the growing catalog of impressive work. When I meet Fanning one evening at Tableau, a high-ceilinged restaurant in New Orleans’s French Quarter, what is striking is the outward flexure of her confidence, the way she knows just who she is and wants to pass along such certainty to you.

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